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    Designcloud is a collective attempt to inspire and stimulate the minds of our readers worldwide by featuring the best art and design from around the internet. We hope that by reading this blog we can encourage others to create more amazing artwork.

    None of the images on this blog are owned by us unless stated otherwise.

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Signs Of Change by Nicole Dextras

Signs Of Change by Nicole Dextras

Porcelain Pistols by Yvonne Lee Schultz

Porcelain, handpainted, marked with YLS

Porcelain Pistols by Yvonne Lee Schultz

Porcelain, handpainted, marked with YLS

Photographic mosaic portraits by Keun Young Park

Keun Young Park is an artist originally hailing from Seoul, South Korea, but is currently based in Jersey City, New Jersey. Park creates interesting artwork out of thousands of pieces of torn photographs carefully pasted together to make up a larger figurative image, building an extremely weird texture and effect through this technique.

Photographic mosaic portraits by Keun Young Park

Keun Young Park is an artist originally hailing from Seoul, South Korea, but is currently based in Jersey City, New Jersey. Park creates interesting artwork out of thousands of pieces of torn photographs carefully pasted together to make up a larger figurative image, building an extremely weird texture and effect through this technique.

The Leaving by Peter Madden, 2008

Auckland-based artist Peter Madden gleans found images from old encyclopedias, back issues of National Geographic, and nature books to create his dense and nearly psychedelic collages suspended in perspex, also known as ‘safety glass’. Of his work Madden says “I consider myself a ‘Sculptographer’; a ‘post-conceptual photographer’. A mediator between genres and dimensions, between you, the other and I. I suppose I am an altogether different collagist, maybe a collagist of difference.” To see much more of his three dimensional work, check out this gallery

The Leaving by Peter Madden, 2008

Auckland-based artist Peter Madden gleans found images from old encyclopedias, back issues of National Geographic, and nature books to create his dense and nearly psychedelic collages suspended in perspex, also known as ‘safety glass’. Of his work Madden says “I consider myself a ‘Sculptographer’; a ‘post-conceptual photographer’. A mediator between genres and dimensions, between you, the other and I. I suppose I am an altogether different collagist, maybe a collagist of difference.” To see much more of his three dimensional work, check out this gallery