Number One by Lo Siento Studio
Fedrigoni’s new campaign for paper brand.
Number One by Lo Siento Studio
Fedrigoni’s new campaign for paper brand.
Scultures by Peter Gronquist
The evolution of desire through greed and consumerism is explored with a bit of irony and humor in the artist’s large-scale works, where taxidermied animals have their antlers sculpted into objects like replica weaponry or corporate logos, often before being gold-plated. The majestic beauty of the animals themselves sometimes stands at odds with the cold, sharp-edged beauty of glittering metal, but other works strike a softer chord.
Scultures by Peter Gronquist
The evolution of desire through greed and consumerism is explored with a bit of irony and humor in the artist’s large-scale works, where taxidermied animals have their antlers sculpted into objects like replica weaponry or corporate logos, often before being gold-plated. The majestic beauty of the animals themselves sometimes stands at odds with the cold, sharp-edged beauty of glittering metal, but other works strike a softer chord.
Photography by Martin Klimas
Photographer Martin Klimas was born in 1971 in Lake of Konstanz, Germany. In his pictures Klimas breaks recognizable objects so they become something else, and stops us just at the moment of transformation. The aspect of destroying is not the most important one in his work. Let’s say it is a catalyst to unleash and study this transformation. The hardest part of his work is to smash so many figurines until he finds one that truly is showing him something new. He is in that sense a sculptor, but he has only a 5000th of a second to build his sculpture.
Photography by Martin Klimas
Photographer Martin Klimas was born in 1971 in Lake of Konstanz, Germany. In his pictures Klimas breaks recognizable objects so they become something else, and stops us just at the moment of transformation. The aspect of destroying is not the most important one in his work. Let’s say it is a catalyst to unleash and study this transformation. The hardest part of his work is to smash so many figurines until he finds one that truly is showing him something new. He is in that sense a sculptor, but he has only a 5000th of a second to build his sculpture.
Revalue by British artist Chris Mitton.
Revalue by British artist Chris Mitton.
Paper sculpture by Vally Nomidou
The exhibition, entitled ‘Let It Bleed’, is a series of life-size sculptures, as well as a series of fragments, such as heads or hands, all made of paper. The works depict young women and young girls. The female figures impress with the naturalness of their features and poses, the perfection of modelling and the beauty of volume.
Paper sculpture by Vally Nomidou
The exhibition, entitled ‘Let It Bleed’, is a series of life-size sculptures, as well as a series of fragments, such as heads or hands, all made of paper. The works depict young women and young girls. The female figures impress with the naturalness of their features and poses, the perfection of modelling and the beauty of volume.
Pulse Machine by Alicia Eggert, 2012
This electromechanical sculpture was ‘born’ in Nashville, Tennessee on 2 June 2012, at 6:18 PM. It has been programmed to have the average human lifespan of babies born in Tennessee on that same day: approximately 78 years. The kick drum beats its heartbeat (at 60 beats per minute), and the mechanical counter displays the number of heartbeats remaining in its lifetime. An internal, battery-operated clock keeps track of the passing time when the sculpture is unplugged. The sculpture will ‘die’ once the counter reaches zero.
Made in collaboration with Alexander Reben.
Pulse Machine by Alicia Eggert, 2012
This electromechanical sculpture was ‘born’ in Nashville, Tennessee on 2 June 2012, at 6:18 PM. It has been programmed to have the average human lifespan of babies born in Tennessee on that same day: approximately 78 years. The kick drum beats its heartbeat (at 60 beats per minute), and the mechanical counter displays the number of heartbeats remaining in its lifetime. An internal, battery-operated clock keeps track of the passing time when the sculpture is unplugged. The sculpture will ‘die’ once the counter reaches zero.
Made in collaboration with Alexander Reben.
